Mar Gauge An Installation by Christopher Reid Martin
Mar Gauge is a meditation on objects which may or may not hold value in our implicitly impenetrable social constructs. As this history progresses from the physical mediums to one of algorithms and faith in institutional constructs, the importance of these physical simple functional materials remains currently in pure sight yet dismissed by the agents of attention. The install will focus on a devaluation of these percepts, with the attitude that they may perhaps be invasive on one’s personal scope of interest. Mar Gauge is the artist’s personalization as a despondent blind eye to the machine functions of history, and both a celebration and mediation of the units that may withhold, reinforce, and hold together its prepackaged beauty. These objects will deteriorate much like the minds that agree to the existence of power structures and means of life. Objects will be presented out of context, in the contexts and reinforced with other objects, alone, on video, on fabric, and under logistic analysis.
Christopher Reid Martin
“The manner in which life constructs itself must be dealing with some other principle which we've failed to identify”
-Simon Conway Morris
“the strong nails that hold things together have flown into the evening sun.”
-Matt Jones of Crescent
Mar Gauge opening
September 8th 2018 - Mar Gauge Opening
September 9th 2018 - Sweat Equity - Performance by Lev Abramoff (live supportive documentation by Christopher Reid Martin)
September 29th 2018 - Closing with performances (performers tba)
Christopher Reid Martin is a multidisciplinary artist, currently residing in Los Angeles. He first began working with sound in Orange County in 2004, layering sounds from various field recordings of daily life which convey living truths and over processed instrumentation as the reactionary expression. These expressions came to birth the solo project known as of Shelter Death. Shelter Death is the audio/performance project amongst many by Christopher Reid Martin, sound, video, and performance artist now residing in Los Angeles. Initially started strictly as experimentation with sound in Orange County, unorthodox recording methods and unconventional sound sources such as broken amps and manipulated radio signals were used to produce a handful of cd-r’s and tapes released on Via Injection, Irrational Tenttent, and A.C.T.I.O.N. Rarely performed live, Shelter Death has played a handful of west coast show from 2012-2015 incorporating ladders, overhead projectors, and sound into a subversively narrative expressive performance. Los Angeles experimental label Crystalline Morphologies will be releasing S. Death's I Cannot Hear the Filthy City in August of 2018 marking three years since the last release.
In 2010, Christopher had taken his creative endeavors into other avenues, releasing tracks under various formats under his shared Orange County based label Via Injection. Christopher's creative repertoire expanded when he began documenting his experience in countries outside the U.S., by taking field recordings, foreign radio recordings, and/or taking photographs. Photographs were either left unadulterated as they were taken or digitally manipulating and layered these with old scanned various schematics. This has led to an ongoing body of work, which fuses reality in the form of photography, with corroded ideas in the form of chopped manipulated grids and manuals. Christopher has and continues to show work in several art shows and has performed live in numerous events in projects such as Bailouts, Via Injection, Shelter Death, Rotary ECT and under his own name. he has performed with artists Joseph Hammer, James Roemer, Andrew Scott, Gabie Strong, Michael Morley, and Daniel Hipolito. Mar Gauge will be Christopher’s first solo show.
3 YEARS OF COAXIAL
Sects (Providence, RI) https://soundcloud.com/s_e_c_t_s https://sectsnoise.bandcamp.com/ Sunk Cost (Denver, CO) https://idiopathicrecords.bandcamp.com/album/equalizing-beam https://breachingstatic.bandcamp.com/album/pepper Vasculae https://vasculae.bandcamp.com Liebestod https://chondriticsound.bandcamp.com/album/beta-male Nial Morgan https://bridgetownrecords.bandcamp.com/album/untitled Sissisters https://pissprayer.bandcamp.com Thursday, September 27, 2018 9pm : $7 RSVP:…
Mar Gauge An Installation by Christopher Reid Martin Mar Gauge is a meditation on objects which may or may not hold value in our implicitly impenetrable social constructs. As this history progresses from the physical…
An evening of free improvised trios with John Fumo, G.E. Stinson, Brian Christopherson, Vinny Golia, Sarah Belle Reid, and Steuart Liebig
ARIADNE (Brooklyn, NY) https://ariadnedigital.net/ ARIADNE is an experimental sacred music and new media art duo whose work explores the intersection of mysticism, dream analysis and the failure of digital systems through a synthesis of music…
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A book documenting the first three years of Coaxial is now available. With photos covering the gamut of residencies and performances. Over 50 full-color pages. With photos from Katie Stenberg, Eva Aguila, Dalton Blanco, Tony Ung, Estelle Srivijittakar, Suzy Poling, Jonnie Prey, Eric Zimmerman, and Sophia Nearhood. Book design and
Coaxial is happy to announce that we have received a grant from the Los Angeles County Arts Commission Organizational Grant Program. This grant will allow Coaxial to continue our artist residency program and will provide much needed funding for artists during their residency. The Organizational Grant Program (OGP) provides Los Angeles
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Coaxial is happy to announce that mediaThe foundation has awarded us a grant for our 2018-2019 fiscal year, renewing their commitment of furthering the work that Coaxial does. With this grant Coaxial will be able to continue our mission of providing a space for artists to create new media art and